Summary of "PIQC Session 9: Years of Filipino Pre-Colonial Ancestors Special Papers (Panel B)"
Summary of Video: PIQC Session 9: Years of Filipino Pre-Colonial Ancestors Special Papers (Panel B)
Main Ideas and Concepts:
- Artistic Representation of Historical Events:
The video features a contemporary Filipino artist, Mr. Elmer Burlongan, who is creating a large-scale painting depicting the arrival of Ferdinand Magellan and the battle with Lapu-Lapu. The painting serves as a commentary on historical resistance against foreign rule, drawing parallels to current geopolitical issues, such as tensions in the West Philippine Sea.
- Artistic Process and Challenges:
Burlongan discusses his artistic process, including the use of acrylics and the importance of capturing expressions and movements on a large canvas. He reflects on the physical demands of painting at an older age compared to his youth.
- Historical Context and Significance:
The discussion includes insights into the historical context of the battle of Mactan, emphasizing the underestimation of indigenous forces by Magellan and the consequences of overconfidence. This historical narrative is linked to contemporary issues of sovereignty and national pride.
- Research on Pre-Colonial Trade and Culture:
Dr. Michael Armand Kanilao presents research on pre-colonial trade in North Luzon, highlighting the region's role in the Indian Ocean trade network. The paper discusses the impact of Spanish colonization on local economies and environmental degradation, as well as the cultural continuity of traditional crafts.
- Ancient Human Presence in the Philippines:
Marianne Reyes shares findings from archaeological sites in Kalinga, suggesting human presence dating back 709,000 years. The discussion covers fossil discoveries, ancient tool-making, and the implications for understanding early human migration patterns.
- Cultural Significance of Colors:
Dr. Maria Ubalde explores the significance of colors in Philippine culture, particularly red and blue, and their associations with identity, power, and traditional practices such as tattooing. The presentation emphasizes the connection between colors, cultural heritage, and environmental changes.
Methodology and Instructions:
- Artistic Process:
- Use large canvases for flexibility in movement.
- Begin with underpainting and develop through layers of color.
- Focus on capturing expressions and historical narratives in artwork.
- Research Approach:
- Conduct archaeological excavations to gather material evidence.
- Analyze artifacts to understand trade relations and cultural continuity.
- Utilize interdisciplinary methods, combining anthropology, archaeology, and environmental studies.
Speakers and Contributors:
- Elmer Burlongan: Contemporary Filipino artist discussing his painting process and historical themes.
- Dr. Michael Armand Kanilao: Research associate at the National Museum of the Philippines presenting on pre-colonial trade.
- Marianne Reyes: Senior museum researcher discussing archaeological findings in Kalinga.
- Dr. Maria Ubalde: Senior museum researcher exploring the cultural significance of colors in Philippine heritage.
- Jigo Alumpai: Mentioned as a collaborator in the artistic process.
The session emphasizes the richness of Filipino pre-colonial history, the importance of cultural heritage, and the ongoing relevance of these themes in contemporary society.
Category
Educational
