Summary of plástica 7, lo que puede un cuerpo
The video "plástica 7, lo que puede un cuerpo" explores the concept of Performance Art, focusing on how the human body serves as both an instrument and an object of creation. It highlights various artistic techniques, concepts, and creative processes involved in Performance Art.
Key Concepts and Artistic Techniques:
- Performance Art: Defined as live artistic activities presented before an audience, emphasizing the body as the main subject.
- Domestic Time: The element of time is crucial in transforming inanimate objects into meaningful entities through ritualistic actions.
- Post-Dramatic Theater: Shifts from traditional representation to new experiences, focusing on the body as a plastic entity that can adapt to various interests.
- Social and Historical Context: Performance Art interacts with societal issues, redefining notions of sexuality, tradition, and memory.
- Risk and Immediacy: Performance is seen as a risky art form that can engage with political and social themes in real-time.
- Cultural Reflection: Artists use their bodies to reflect on social issues, often drawing on personal experiences and broader cultural narratives.
Creative Processes and Steps:
- Arranging Objects: The artist arranges personal belongings in diverse patterns, treating each with concentrated energy.
- Engaging with the Audience: Performances are designed to provoke thought and dialogue with viewers, often incorporating elements of surprise and discomfort.
- Exploring Identity: Artists may use their bodies to engage in discussions about identity, social classes, and cultural icons.
- Community Involvement: Festivals and workshops are organized to educate and involve the public in Performance Art.
Featured Contributors:
- María Teresa
- Alfonso Suárez
- Raúl Naranjo
- Fernanda Cardoso
- Piero Pino Cheli
- Elena Productions (artistic collective)
- Various artists and curators involved in the Cali Performance Festival.
Notable Quotes
— 15:03 — « The performance bursts into time and space without prior notice and modifies the quiet flow of everyday life. »
— 15:12 — « Grotesque and uncomfortable actions and presences are used by many performers to draw attention to social problems that should not be ignored. »
— 16:40 — « Raúl Naranjo uses in his actions sharp objects with sadomasochistic reference; pain or pleasure, suffering or ecstasy, his own body is a metaphor of the national body, object of torture. »
— 23:43 — « The performance is located in an indefinable terrain sustained by the fragility of time, existing only in the present. Its power lies in that immediacy that takes us in an instant to unknown states of consciousness. »
— 24:00 — « The human body used as an instrument of real expression, naked, vulnerable, produces surprise, disgust, fear, laughter, but never indifference. »
Category
Art and Creativity