Summary of "Desmintiendo Lost Media de la DEEP WEB"

Summary of the video’s main arguments (debunking alleged “Lost Media” from the deep web)

1) Alleged deep-web album: “Pseudo Scorpion” / “Pudo Scorpion”

The video claims the album circulating online is largely a manufactured legend / creepypasta, repeatedly promoted through forums like 4chan, and later amplified by Spanish/Latin American lost-media coverage on TikTok/YouTube.
Original claims include that the album:
- was created using “disturbing” / abusive sounds (e.g., baby cries, sounds tied to abuse),
- would cause anyone posting about it to be deleted/banned,
- is tied to “deep web” material.
The presenter’s rebuttal:
- screenshots shown in popular videos appear inconsistently sourced (e.g., a screenshot supposedly from 4chan that the presenter can’t locate elsewhere),
- a “Spotify Africa” reference appears fake / incorrectly attributed,
- research suggests the music is mostly stale/stock audio or sounds pulled from elsewhere, with no evidence of a true underground release.
The “uncomfortable” claim (that the album cover involves a child) is presented as likely misleading:
- reverse image search allegedly traces the cover frame to a Japanese adult video (a 2003 adult film), where the performer appears “younger” due to appearance and film styling rather than being a minor.
- therefore, the cover image is portrayed as selected to create an illegal/forbidden aura, not as proof of a real “deep web” album.
Conclusion: the album is framed as internet mythology, not genuine lost deep-web media.

2) Alleged deep-web film: “Snof R73”

The video says “Snof R73” is circulated as a 3-hour CP film with extremely grotesque content—supposedly distributed in limited ways and framed as deep-web illegal material.
The presenter’s argument:
- much of the information is from secondary commentary, not direct verified evidence of a full film (notably from a channel called Cinemas Underbelly),
- “Snof R73” is argued to be more accurately a short mixtape/video (about 15 minutes, not hours),
- the “deep web” framing is depicted as exaggerated: the content is described as “ultra-morbid,” but not confirmed as the kind of mythologized criminal underground footage people claim.
Authorship / community conflict is discussed:
- “Snof R73” is associated with a creator/figure known for mixtapes, allegedly plagiarizing or re-editing another creator’s material,
- a person named Thomas / Thomas Cinema is portrayed as central to the backstory, including accusations that Snof R73 used much of his footage in reordered form.
Claims about “deep web payment” (torture-for-crypto) are challenged:
- the presenter suggests these claims exist as urban myths/scams,
- though the video acknowledges that at least some individuals connected to distribution reportedly faced real prison time.
An unresolved detail remains:
- the alleged identity on the cover (rumored missing child) is treated as uncertain,
- the presenter mentions a possible match to a missing American boy named Kiron Horman, but says the resemblance is not strong enough to confirm the rumor.
Conclusion: Snof R73 is described as existing but far from the advertised form; the “lost deep-web film” status is framed as mostly myth-making and click-amplified ambiguity.

3) Alleged deep-web horror game: “Sat Seiran / Sad Seiran”

The video outlines how gameplay clips from ~2015 circulated widely and were labeled “deep web” largely because the origin and creator identity were unknown.
The initial myth:
- the game allegedly had no normal objective, used labyrinthine navigation, and included shocking images (some claimed to be illegal content),
- people assumed it was distributed only via deep-web access, making it “lost.”
The presenter’s debunking:
- the “deep web” claim is rejected: the game was reportedly obtained by the channel Dark Horror Corner via a subscriber,
- the most dramatic images (allegedly real crimes/abuse footage) are discussed as identifying real-world figures (including claims referencing Jimmy Savile and other notorious individuals), not proof of an untraceable deep-web creation.
Core revelation: the “lost deep-web” origin story is presented as fraud.
- the video centers a person called Jaie (also spelled in various ways),
- through interviews (including with Kotaku), Jaie allegedly provided explanations that later unraveled,
- a link meant to prove deep-web distribution is said to have been fake,
- later updates reportedly contradicted earlier statements (first claiming no CP/gore, then admitting the link/code issues).
Credibility deterioration:
- the presenter claims Jaie later “impersonated” a purported deep-web provider (ZK) by posting another link via a more basic hosting route (Mega),
- this allegedly worsened credibility and led to accusations that the creator was manipulating claims.
Final outcome:
- the presenter claims Jaie effectively collapsed under the inconsistencies, eventually leaving/going inactive,
- and that the “deep web lost game” narrative was largely constructed for attention.
Conclusion: the game is treated as not truly lost deep-web media, and the “deep web” framing is described as intentional misinformation.

Key overall thesis of the video

The presenter argues that many “deep web Lost Media” items popular online are:

creepypasta-like constructions,
built from misleading cover art, reused/stock audio, re-edited footage, or fabricated distribution stories,
then amplified by lost-media communities and TikTok/YouTube repetition—creating an “internet loop” where unverifiable claims get normalized as fact.

Presenters / contributors mentioned

Demi (main presenter)
Dross (referenced as a source creator who covered the album)
Yoshimitsukaleon (referenced)
Tom (listed as Thomas Cinema / Thomas Goresín / Thomas Gorecito; described as another contributor/figure in the Snof R73 narrative)
Cinemas Underbelly (channel credited for obtaining/discussing Snof R73)
Dark Horror Corner (channel credited for popularizing Sat/Sad Seiran gameplay)
Jaie (creator/pivotal figure in the Sat/Sad Seiran controversy)
Kotaku (media outlet referenced for the interview)
TKS (mentioned as part of investigations regarding deep-web myths)
Han (artist credited for the video thumbnail)