Summary of "The Four Types of Novel Writers"

Brief summary

Ellen Brock (novel editor and YouTuber) describes a typing system for novel writers to help them choose strategies and techniques that suit their natural working style. She argues that one-size-fits-all advice is harmful and that identifying your type can reduce frustration and speed progress. Brock uses two continuums (Plotter–Pantser and Intuitive–Methodological) to define four writer types, explains diagnostic signs for each continuum, and gives pros/cons and practical approaches for each type. She also promises follow-up videos with detailed techniques for each type.

The two continuums: definitions and diagnostics

1) Plotter — Pantser (planning style)

Plotter: plans in detail before drafting (scene-by-scene outlines, subplots, character arcs, worldbuilding, tracking systems).
Pantser: writes by instinct/impulse with little or no advance plan; may start with a single spark (a line, image, or character).

Diagnostics

If you plot but constantly deviate from your outline, or lose interest after outlining, you’re probably a Pantser.

If you pants and then stall a few thousand words in or endlessly start new novels without finishing, you likely need more plotting.

2) Intuitive — Methodological (problem-solving / thinking style)

Intuitive: relies on gut, emotion, and instinct to make story decisions and solve problems; less reliant on formal theory.
Methodological: uses explicit systems, theory, and structure (plot and scene structures, character-arc components) to analyze and fix problems.

Diagnostics

If your drafts feel meandering and you can’t figure out why despite lots of editing, you may need more methodological technique.

If you “just know” a story works but cannot rationalize it with structure, you’re likely intuitive.

If learning craft theory excites you and helps, you’re likely methodological; if it feels restrictive or uncomfortable, you may be intuitive.

The four writer types

1. Intuitive Pantser

Profile - Rare and romanticized; writes mostly by instinct with little prior planning. - Applies structure unconsciously or in unusual ways; can produce surprising, organic results.

Pros - Highly creative, original flows and solutions. - Stories can “work” despite nontraditional structure.

Cons - Often requires long editing and soul-searching to solve problems. - First-draft-to-finished-draft process can be very slow.

Suggested approach - Accept longer revision cycles. Trust your intuition but be prepared for extended problem-solving and editing.

2. Intuitive Plotter

Profile - Has a strong gut sense but benefits from some advance planning to manage longer works. - Plots based on intuition rather than formal structures.

Pros - Clarifies and contains imaginative ideas while keeping emotional/creative energy intact.

Cons - May struggle to sustain intuition over a long manuscript without a compact plan.

Suggested approach - Create a creative, intuitive summary or synopsis (not a rigid outline) to shrink and clarify your vision. Use it as a flexible map while drafting.

3. Methodological Plotter

Profile - Extreme planner who uses structure, scene breakdowns, and character-arc components to plan thoroughly before drafting.

Pros - Much of the editing is done before drafting, so first drafts can require less revision. - When they find a working system, they can be prolific.

Cons - Can lose creative excitement if planning feels constraining. - May feel emotionally like “not a real writer” (a feeling Brock says is unfounded).

Suggested approach - Lean into systems that work for you. Allow occasional creative deviations if they add life. Don’t let myths about “real writers” discourage you from planning.

4. Methodological Pantser (a methodical writer who needs to see pages)

Profile - Uses craft knowledge and structure but needs to write scenes to discover the story. - Alternates between writing and planning/editing (write a bit → analyze → revise outline → write more).

Pros - Can generate strong, well-structured novels by iteratively testing ideas on the page. - Combines craft awareness with hands-on discovery.

Cons - Process is chaotic and non-linear. - Some advice (for example, “never revise as you go” or “always finish a full draft before editing”) may not apply.

Suggested approach - Embrace iterative write/plan/edit cycles. Let the back-and-forth be your workflow instead of forcing a single-phase process.

General lessons and practical tips

Don’t force the method you find glamorous — use the methods that actually help you finish and improve work.
Give unfamiliar methods a fair trial (for example, try learning structure seriously before concluding you’re intuitive).
Use the diagnostic signs (losing interest after outlining, stalling early, inability to fix problems in editing, feeling a story “works” but can’t explain why) to identify your tendencies.
People can shift types over time or use hybrid approaches; typing is meant to guide, not limit.
Brock plans follow-up videos that will detail strategies and techniques that do and don’t work for each type.