Summary of Drawing with Charcoal: Historical Techniques of 19th Century France
The video explores the historical techniques of drawing with charcoal in 19th century France. Charcoal, with its dark, velvety, and grainy qualities, was favored by artists for its range of tones and ease of reworking. Artists in the 18th and 19th centuries developed methods to bind charcoal to paper, allowing for finished works of art. French artists like Maxime Lalanne used textured paper and a variety of tools to create charcoal drawings outdoors. Techniques included applying broad strokes of tone, blending with a cloth or brush, and selectively removing charcoal to create highlights. Artists also used tools like kneaded bread, stumps, and fingers for blending. The video highlights the evolution of charcoal drawings in France, from soft landscapes to darker-toned drawings representing somber subjects or night scenes. Artists began experimenting with other powdery materials like black chalk, conte crayon, and pastel, sometimes combining them with charcoal. The medium itself became integral to the work of art, emphasizing artistic experimentation.
Creators or contributors featured
- Timothy Mayhew
- Maxime Lalanne
Notable Quotes
— 03:02 — « Artists of the past often used kneaded bread just like an eraser. »
— 03:22 — « Stumps or a finger can be used for blending. »
— 03:38 — « 19th-century artists typically protected their drawings by brushing a resin-based fixative solution across the back of the paper. »
Category
Art and Creativity