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Mary Shelley: A Biography | Frankenstein | National Theatre at Home
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Mary Shelley’s intellectual background
Shelley grew up in a remarkable family. Her father, William Godwin, was an atheist at a time when atheism was widely seen as an offense against nature, and her mother, Mary Wollstonecraft, was a pioneering feminist. The speakers suggest that this background helped shape the questions Shelley explored in her writing.
The historical context of Frankenstein
In 1816, Britain was dealing with the aftermath of war, including demobilization, economic change, and industrial unrest. As industrialization pulled people away from the natural world, the novel brought together scientific and industrial ideas with Romantic thought.
Shelley’s relationships and journey to Geneva
Percy Shelley’s relationship with Mary was controversial and intensified her separation from her family, particularly her father. Mary, Percy, and Mary’s stepsister Claire Clairmont went to Geneva after Claire became interested in the poet Lord Byron, who was staying there.
The novel’s setting and inspiration
The group gathered near Lake Geneva at the Villa Diodati, a place associated with John Milton. Paradise Lost was an important influence on Shelley’s novel. Byron suggested that everyone write a ghost story, but Mary initially could not think of one. During a stormy summer, she experienced what she described as a waking dream, which gave her the vision for the story.
Personal experience and the creature
Shelley began writing the novel amid intense personal circumstances, including the birth and loss of a child, her mother’s death, and her awareness of her mother’s social exclusion. The speakers describe the creature as containing many of these tensions: it is at once tragic, innocent, ugly, and beautiful.
A radical idea about creation
The novel challenged the assumption that creation must be divinely inspired. In its 1818 context, that idea was deeply provocative and could be seen as heretical.
Publication and reputation
Frankenstein was first published anonymously in 1818, which was not unusual for novels of the period. Its authorship later became known.
In the 1831 edition, published after Percy Shelley’s death, Mary included a preface that presented the novel as the work of her younger self. The speakers suggest this framing helped her rehabilitate her reputation and earn a living for herself and her child. Her association with the novel supported her literary career, but also meant she could never fully escape being known as its author.
Speakers or sources featured
- Philip Hoare, writer
- Daisy Hay, Mary Shelley biographer
The subtitles do not label individual turns, so they do not make clear which commentator delivers each point.
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