Video summary
Gauntlet Series - FINALE | Focal Bathys MG Headphones vs. écoute TH1 Headphones
Main summary
Key takeaways
Product(s) reviewed / compared
- Focal Bathys MG (also shown in subtitles as “Focal Patise/Batiste MGs”) — tested in the Gauntlet finale
- E (Acut/ Eoot) TH1 headphones — the winner in this head-to-head (final “final boss”)
Key features mentioned
Focal Bathys MG
- Works with the Focal “name” app, including:
- EQ settings
- Sound Personalization
- Noise cancelling set to silent mode
- Tuning described as clear and refined
- No specific hardware details beyond the app/EQ are mentioned in the subtitles
TH1 headphones
- Includes built-in vacuum tube amplifiers
- Known for:
- Very wide soundstage
- Smooth, top-notch clarity
- Balanced instrument separation (e.g., violins/cello) and vocals
- Autotune on an E-40 track doesn’t sound “tiny” and remains smooth (interpreted as good tuning smoothing)
Listening experience (what the reviewer said)
- Both headphones:
- Deliver good volume without needing to crank it
- At the reviewer’s preferred level, they’re around 60–65%
- Avoid obvious distortion/crackling even at higher volume (one track mentioned around 75–80%)
- Provide clear vocals (lead + background), with strong consonant annunciation (B/P/T sounds)
Soundstage difference (major comparison)
- Bathys MG: “standard/conventional” soundstage—neither too narrow nor too wide
- TH1: much wider soundstage with a concert hall / amphitheater feel and more “airiness”
Bass behavior
- Bathys MG:
- Bass hits show more punch (notably on the E-40 / T-Pain track)
- “Silk” fadeaways
- TH1:
- Still has good thump/punch
- Bass does not disappear despite the wide soundstage
- Reviewer perceives a different bass “type” / power emphasis
Pros / Cons mentioned
Focal Bathys MG
Pros
- Notable improvement over OGs (“noticeable improvement over the originals”)
- Clear, refined sound
- Strong vocal clarity and detailed nuance
- Comfortable on the reviewed track; autotune doesn’t become harsh or piercing
Cons
- In this direct comparison, it’s not enough to dethrone the TH1
- Reviewer suggests it may have slightly higher overall dB level than the TH1 when nitpicking (implying TH1 could be more efficient or balanced at lower perceived loudness)
TH1 headphones
Pros
- Built-in tube amp (major differentiator)
- Wider soundstage than Bathys MG
- Smoother, crystal-clear overall tuning (reviewer repeatedly calls it “smooth”)
- Better overall sound and more realistic spatial feel
Cons
- None explicitly stated in the finale comparison subtitles
Comparisons made vs other headphones (context for ranking)
- Bathys MG previously went toe-to-toe with:
- Dolby IO2 (spelled “Dolly IO2s”)
- T+ Solitary TE
- Updated ranking context:
- B&O Play H100 is #5 in the updated top five, but volume issues are hurting it
- Reviewer hopes for an LDAC update
- Possible future contenders:
- Bowers & Wilkins PX8 S2
- Cambridge Melomania P100 S2/SE (not yet reviewed)
Winner / overall verdict
- Verdict: The reviewer’s winner of this Gauntlet finale is Eoot/Acute TH1
- Reason: Better overall sound, especially:
- the wider soundstage
- smoother, crystal-clear tuning
- Despite losing, the reviewer still ranks Focal Bathys MG very highly and calls them a “forever pair,” just not enough to take the top spot.
Ratings / numerical scores
- No formal star rating/score given.
- Volume preference mentioned:
- Preferred listening level: 60–65%
- Example higher volume without distortion: ~75–80%
Unique points list (distinct claims about Bathys MG / TH1)
- Bathys MG tested via the Focal app with EQ, sound personalization, and noise cancelling (silent mode).
- Bathys MG deliver nice volume quickly (don’t need to be turned up much).
- Bathys MG vocals are detailed/clear, with great annunciation.
- Bathys MG background vocals “fill space.”
- Switching to TH1: also clear, smooth, and wide.
- TH1 vocals and nuance are described as especially smooth.
- On E-40/T-Pain: Bathys MG bass has nice punch, silk fadeaway, and very clean clarity.
- Bathys MG bass doesn’t distort at higher volume; no crackling or statically harsh sounds heard.
- On E-40: TH1 has wider soundstage, clear crystal-like lyrics/vocals, and bass punches without disappearing.
- TH1 bass is described as a different character (due to wide staging) but remains impactful.
- Final track (Mozart) on Bathys MG: crisp violins, clear cello rumble, and full sound at the end.
- Final track on TH1: more theater-like presentation with wide soundstage, excellent instrument balance, and smoothness.
- Direct comparison: Bathys MG have a more standard soundstage; TH1 has much wider staging and better spatial realism.
- Both manage volume without distortion; preferred volume is 60–65%.
- Nitpicking suggestion: Bathys MG might show higher dB level than TH1.
- Bathys MG are a noticeable improvement over originals, but not enough for #1.
- Updated top five mention includes:
-
1 TH1
-
4 Focal Bathys MG
-
5 B&O H100 (volume issue)
- Other entries mentioned: #3 “Dolly IO2s” and #2 T+ Solitary TE
-
Speakers
- Single main speaker/reviewer throughout the subtitles (no separate distinct speakers indicated).