Top 10 WORST Movies 2021

Overview

The video is a comedic, rant-style countdown of the creator’s Top 10 “worst” or most disappointing movies of 2021, framed as a “tradition” of sharing favorites—except the theme is disappointment (jokingly rephrased from “disappointing” to “worst” because “that’s what people search for”).

Main Structure / Plot

• The host walks through 10 entries, mostly criticizing movies for being uninspired, poorly executed, or obviously late/procrastinated releases.
• The vibe is less “review” and more mocking the choices Hollywood made, with frequent jokes about:
  • marketing,
  • pacing,
  • and how sequels/reboots feel forced.
• The countdown ends with the host’s #1 pick, followed by a heartfelt personal wrap-up.

Countdown Highlights (by Entry)

#10: Venom: Let There Be Carnage

• The host says they wanted to love it, but feels it’s a step back.
• They liked the first film’s “buddy-cop/puzzle-parasite” dynamic, but this one feels like repeating a similar fight setup without building a compelling story.
• The post-credit scene is dismissed as something that “doesn’t matter.”

#9: Cruella

• Since they “don’t care” about Cruella De Vil, the host calls it a waste of time.
• They criticize it as trying to work as an origin/character version, but it feels like a weird Cruella story that doesn’t actually feel like Cruella De Vil.
• Overall reaction: bored, not engaged.

#8: Black Widow

• The host argues the standalone release timing was wrong—basically too little too late, especially after audiences had wanted it for years.
• Taskmaster is mentioned as a bright spot, but the film is still described as an outcome of Marvel hubris, assuming people will watch because it’s MCU.

#7: Snake Eyes

• The movie is said to fail at feeling like the characters it promised—marketing is misleading.
• The host likes the casting/feel for Snake Eyes (Ray Park) and the execution of Snake Eyes in general, but says the film doesn’t deliver a proper Snake Eyes story.
• Joke/comparison: maybe the best GI Joe movie is actually a Van Damme Street Fighter movie, based on fan belief.

#6: The Matrix Resurrections

• Called “matrix regurgitations,” with the host saying they already covered it in prior reviews.
• A key point: they wonder if it’s secretly a troll/joke against Warner Brothers (or related to forcing Lana Wachowski), and they “salute the idea” if true.
• Regardless, they say it fell flat and isn’t memorable compared to Matrix Reloaded/Revolutions.

#5: Mortal Kombat

• The host admits they got a “good time” impression when reviewing it—especially when drunk, joking that alcohol made the experience feel better.
• They say it got worse when a friend (a major Mortal Kombat fan) watched it with them.
• Standouts are acknowledged (Kano/Sub-Zero/Scorpion moments), but the overall result is disappointment—they wanted a sequel done properly.

#4: Resident Evil: Welcome to Raccoon City

• The host compares it to a made-for-TV movie despite being theatrical.
• Their main complaint: it “feels” like low-budget content rather than a proper big-screen adaptation.

#3: Thunder Force

• A comedy that didn’t make them laugh is described as especially depressing: “bad comedy” hits harder than bad action/drama.
• They argue the premise should have offered easy comedic fuel, but it didn’t deliver.

#2: Home Sweet Home Alone

• The host discusses how “straight-to-video” sequels used to fly under the radar, but now Disney Plus makes them visible.
• Their reaction is disappointed, while also anticipating disappointment from the chatter.
• They mock the idea of soulless franchise exploitation—content made to stream because it might monetize, not because it’s good.

#1: Space Jam: A New Legacy (“Space Jam 2”)

• The #1 pick is a heavy, visual-focused takedown.
• The host criticizes it as an overlong commercial/advertisement, citing:
  • terrible visual quality/animation issues,
  • weak integration of Warner Bros. characters,
  • and jokes about LeBron’s acting and debates with friends about it.
• They also say they didn’t find the promised nostalgia/fan culture they expected (joking about “rule 34” content that didn’t show up).
• Final judgment: it embodies what’s “wrong with Hollywood”—soulless, lifeless, uninspired.

Standout End Segment (Non-Movie Plot)

After the countdown, the host becomes sincere:

• They thank viewers for supporting the channel because their dad survived a heart attack earlier in the year.
• Key timeline mentioned includes:
  • timing of the event,
  • calling 9-1-1,
  • ambulance arrival,
  • coma,
  • bypass surgery,
  • and recovery.
• They encourage viewers to hug loved ones and to call emergency services quickly—then add a personal note that their father has been smoke-free for about five months.

On-Screen Personalities / Figures Mentioned

• The host/creator: delivers the countdown and commentary.
• The host’s dad: appears only in the heartfelt story (not on camera).
• Jeremy: mentioned in a toast (likely a viewer or friend).
• LeBron James: discussed regarding acting in Space Jam: A New Legacy.