Video summary

Stop Wasting Money On MIDI Controllers (Complete Guide)

Main summary

Key takeaways

Product Review

Summary of Key Points (MIDI Keyboard Buyer Guide)

Main focus / message

  • The video argues that many producers waste money on flashy MIDI controller features they won’t use.
  • Instead of getting distracted by “spec sheet gibberish,” the goal is to understand what matters:
    • Key type
    • Aftertouch
    • MIDI implementation/connectivity
    • Which “extras” are often not worth paying for

Product/Feature breakdown

1) Key types (most important purchase factor)

The presenter describes three keybeds and how they feel:

  • Synth action
    • Lightest and bounciest
    • Best for compact/light travel setups; less resistance
  • Semi-weighted
    • Middle resistance
    • Typically found on lower-budget controllers
    • More resistance than synth action, but not like piano
  • Fully weighted
    • Most resistance, closest to a real piano feel
    • Best if you play piano parts or want the most authentic feel

2) Number of keys (size/travel vs range)

Common sizes and their use cases:

  • 25 keys
    • Example: Launchkey Mini (mini keys, and also 25s in full-size)
    • Good for simple melodies
    • Cheap and fits backpacks
  • 37 keys
    • Another octave; still compact
  • 49 keys
    • More capable for two-hand playing
    • Presenter says many producers gravitate here (space still reasonable)
  • 61 keys
    • Helpful if you’re constantly using octave buttons
    • Presenter’s favorite size for travel
    • Hard to find fully weighted options at 61 and below
  • 73 keys
    • Presenter’s #1 favorite
    • A great piano-like compromise without needing 88 keys
    • Example: Studiologic SL73 (noted as a “great controller for the price”)
    • Presenter says they often don’t need another octave across many genres
  • 88 keys
    • Full piano range, best for classical or anyone who expects to use all keys
    • Likely more expensive

Key comparison takeaway:

  • Go smaller for travel/space (25–49)
  • Go balanced for realism without full size (61–73, especially 73)
  • Go full (88) for piano/classical needs

3) Aftertouch (polarizing feature)

  • Definition: aftertouch is pressing down beyond the trigger point to send additional MIDI control data that affects the sound.
  • Types:
    • Monophonic aftertouch (most common)
      • Sends one pressure value for the whole keyboard
    • Polyphonic aftertouch (growing)
      • Sends separate pressure values per individual note
  • Presenter view:
    • Can be a gimmick, but can also be cool/usable depending on your needs

4) Connectivity & MIDI implementation (often overlooked)

What to look for:

  • USB MIDI
    • Usually sufficient if connecting to a computer only
  • DIN MIDI ports
    • Matter if you want to trigger hardware
    • At minimum, you may need a DIN MIDI output
  • Using your audio interface’s MIDI ports
    • If your interface has MIDI ports, adding MIDI ports on the keyboard can help you avoid using extra USB ports
  • Pedals
    • Sustain input (common)
    • Expression pedal inputs are highlighted as useful for dynamic articulation (e.g., ramping string dynamics without editing in the DAW)
  • Bluetooth MIDI
    • Can work for some tasks (presenter has recorded MIDI successfully)
    • Often unreliable and can have lag
    • Best for less time-critical uses (like wireless transport controls)
    • Not recommended if the purpose is reliable wireless recording

“Wasted money” extras (pros/cons / practical value)

5) Drum pads

  • Some keyboards include 0, 8, or 16 drum pads
  • Presenter’s opinion:
    • They doesn’t like using drum pads more than the keys themselves
    • Pads are often a low value purchase for many users

6) Faders and knobs (mixed opinion)

  • Can control DAW parameters, but:
    • Setup can be a pain
    • Faders usually aren’t motorized, so the presenter doesn’t use them much for level adjustments
  • Exception:
    • When controllers have deep plugin/software integration, they become more worthwhile

7) Chord/arp modes

  • Examples of “additional features” that can distract buyers from more important fundamentals
  • No detailed pro/cons beyond the overall theme: don’t overspend for features you’re unlikely to use

Specific comparisons / product examples mentioned

  • Arturia KeyLab 61 (~$600)
    • Has many features
    • Presenter calls out lightweight keybed
  • Studiologic SL73 (and “SL73 or 88” referenced)
    • Presented as better value if you care about:
      • fully weighted keys
      • simpler layout
      • still includes aftertouch and transport controls
  • Native Instruments / Arturia / software integration concept
    • Presenter notes that some brands (notably Native Instruments, via “Complete Control” software) can provide a more immersive DAW/plugin control experience than standard MIDI mapping
    • Note: this can encourage buying more of their plugin bundles

Overall recommendation / verdict

  • Prioritize key feel (key type) and key count, plus the connectivity you truly need (USB vs DIN, sustain/expression pedals).
  • Aftertouch is optional and may matter most if you plan to use it.
  • Be skeptical about paying extra for:
    • Drum pads
    • Faders/knobs
    • Mode features
  • Especially if the controller lacks strong software integration.

Bottom line: Choose a keyboard with the right keybed (often fully weighted) and the necessary MIDI I/O, rather than one packed with “shiny” features you won’t use.


Unique points mentioned (consolidated list)

  • Keybed types: synth action, semi-weighted, fully weighted (feel + ideal use cases)
  • Key count guide: 25, 37, 49, 61, 73, 88 (tradeoffs in space/range)
  • 61 difficulty for finding fully weighted options; 73 recommended as best compromise
  • Aftertouch types: monophonic vs polyphonic; may be gimmicky but can be useful
  • Connectivity priorities: USB vs DIN (need output for hardware); interface MIDI can reduce USB needs
  • Expression pedal inputs for dynamic control without DAW editing
  • Bluetooth MIDI: may work but often unreliable/laggy; not ideal for reliable wireless recording
  • Drum pads: common configurations (0/8/16); presenter rarely prefers them over the keys
  • Faders/knobs: DAW control potential, but often annoying/not motorized; value increases with deep software integration
  • Software ecosystem example: Native Instruments Complete Control integration
  • Advice: compare controllers at similar price by checking plugin bundles and overlap
  • Decision-process note: use review/comparison playlists (not a feature, but part of the buying process)

Speakers / perspectives

  • Single primary speaker (no separate speakers indicated in the subtitles).

Original video