🔥 TÉCNICA ABSURDA PRA ENCONTRAR OS ACORDES SÓ DE OUVIDO

Main Ideas

The instructor presents a way to visualize a scale or harmonic field vertically, using the tonal center as a reference. The goal is to make it easier to hear whether a song’s harmony is moving toward a higher or lower area and to try a likely chord by ear.

The Method

1. Put the tonic in the center of the page. The tonic is degree 1—for example, C in the key of C major.

2. Write the scale above it in ascending order: 1, 2, 3, 4, 5, 6, 7.

3. Write the scale below it in descending order: 7, 6, 5, 4, 3, 2, moving down from the tonic toward the bass. The tonic can be written again at the bottom if helpful.

4. Mark the three main major chords. The instructor focuses on degrees 1, 4, and 5, describing them as the foundational major chords of the harmonic field.

5. Use vocal movement as a clue for which chord to try. Starting from the tonal center:

   • If the musical line moves somewhat higher, try degree 4.
   • If it rises farther, try degree 5.
   • If it moves lower, try degree 5.
   • If it falls farther still, try degree 4.

In C major, these chords are C (I), F (IV), and G (V). The instructor demonstrates by singing or playing a note and testing the suggested chord.

1. Practice by singing and checking chords on the guitar.
   • Play or imagine the tonal center.
   • Sing a little higher or lower.
   • Try the suggested chord and listen for whether it fits.
   • Gradually move farther from the center, then return to it.
   • Practice both stepwise movement and larger jumps.

Example: The C-Major Harmonic Field

The instructor maps the degrees as follows:

• 1 — C
• 2 — D minor
• 3 — E minor
• 4 — F
• 5 — G
• 6 — A minor
• 7 — B diminished / half-diminished

The lesson concentrates on the major chords and does not fully explain how to use the minor chords or the more distant “cloud” and “abyss” regions the instructor mentions. The technique is offered as a practical listening guide, rather than a complete account of every possible chord.

Speakers and Sources Featured

• Edvaldo Dell — the instructor speaking, demonstrating guitar chords, and singing examples.
• Guitar and vocal demonstrations — musical examples performed by the instructor; no other speaker or cited source is identified.