Video summary

Лучший УКФ Hisense Starlight S1 Pro?

Main summary

Key takeaways

Product Review

Product overview (from the subtitles)

The video is a review of Hisense Starlight S1 Pro (an ultra-short-throw / UST projector). The review focuses heavily on:

  • Setup
  • Sound
  • Connectivity
  • Image performance
  • Comparisons against other models—especially JM / “FMovie” and Premium Theatre and GMGO (likely other UST brands/models discussed previously by the channel).

Key features mentioned

Ultra-short-throw (UST) design

  • Must be placed close to the screen, creating cable/placement constraints.
  • Optical/nearby cables can interfere, since the projector sits very near the screen surface.
  • Image performance depends strongly on:
    • Screen size
    • Choosing the correct screen (proper UST/IR alignment matters)

Optics & focusing

  • Optics are sealed, so dust won’t get in.
  • A technician disassembles the unit and adjusts/focuses using bolts.
  • No optical motor / optical zoom control is mentioned; optics appear manually configured.

Cooling system

  • Laser heatsink + large heatsink
  • Multiple fans (at least two fans, plus “one more extra”)

Built-in audio system / subwoofer

The review emphasizes sound as a major strength.

  • There’s no subwoofer in one compared model, but the Hisense setup includes one and it “sounds excellent.”
  • The reviewer describes a subwoofer concept connected via optics:
    • The projector outputs optical audio to the subwoofer.
  • Subwoofer details:
    • RCA bass input (reviewer notes you can connect it to a TV if needed)
    • Lever/adjustment to control bass
    • Option to close a hole to reduce humming/resonance

Ports & connectivity

  • Antenna input (for analog TV)
  • USB (install apps / play media)
  • Two HDMI ports
    • One description mentions “additional input for headphones” (unclear wording)
    • RS232 is mentioned as likely for setup/control
  • Optical output
    • Used for subwoofer and/or multi-channel receiver
    • For Dolby Atmos / DTS HD, the reviewer suggests you likely need HDMI eARC/ARC (they mention “HDMI Arts”)
  • Bluetooth
  • Wi‑Fi support for setup via phone

Screen requirement

  • The reviewer stresses buying the correct IR/ray UST screen.
  • Using an incompatible screen (wrong orientation/installation) can break functionality.
  • A specific issue is mentioned: Vshtoorm screen installed upside down.
  • They also order a DLD sound-transmitting screen for testing.

Remote control

  • “Fancy” remote, but fully plastic (reviewer wishes it were aluminum like other brands).
  • If the remote is lost: only one power button on the projector is available.

On-screen settings / picture tuning

  • Multiple image modes, including:
    • Brightness-related modes
    • Contrast/saturation adjustments
    • Motion compensation
    • Dynamic contrast, black enhancement, etc.
  • The projector can’t fully auto-calibrate itself (manual or limited calibration).
  • Color/gamut guidance:
    • Recommends using the native gamut to avoid confusion (mentions 709 / BT20 / cinema).
  • Gamma / color temperature choices
    • Recommendation for dark rooms: choose a “black” / darker mode to improve perceived depth.

User experience / setup experience (what the reviewer liked & found annoying)

Pros

  • Very strong audio experience for a projector
    • Called possibly the best projector sound they’ve heard
    • Becomes “huge” and “pleasant”
    • No noticeable buzzing in normal use
    • Room resonance is helped by subwoofer tuning
  • Good brightness reserve for UST
    • Works well as image size increases
    • Brightness drops less than expected
  • Good colors out of the box
    • Colors appear well adjusted with less tweaking
  • Compact footprint
    • Can work as a compact/bedroom option (even on a nightstand setup with a frame screen)

Cons / limitations

  • Black level / depth not as strong as higher-end references
    • Reviewer says black lacks depth in dark-room scenes
    • Compared to systems like Premium Theatre and others, which look better for black
  • Auto-calibration missing
    • Reviewer compares it to GMGO: no self-calibration
    • Leads to “minor nuances”
  • No optical motor / manual optics
    • Some optic-related adjustments must be done manually
  • Setup sensitivity
    • Wrong screen orientation/material can ruin performance
    • Very close UST placement causes practical issues (including cable/“optical wire” proximity)
  • Brightness complaints
    • Many users claim the picture isn’t “bright enough”
    • The reviewer notes camera comparisons can be misleading
  • Remote is plastic + risky to lose
    • Only one physical power button if remote is lost
  • Disassembly can be inconvenient
    • Removing internal parts is tricky (hand/cable caution)
    • Configuration is easier if done by a technician

Comparisons made (other products mentioned)

  1. Hisense vs “FMovie / Hens vs FMovie”

    • A “Premium theater for movies” model is contrasted with a Chinese/global vs Chinese version style
    • One comparison model lacks a subwoofer
    • Hisense positioned as better sound due to integrated subwoofer system

  2. Hisense vs “Premium Theatre”

    • Multiple references claim Premium Theatre performs better for black depth and overall picture superiority

  3. Hisense vs “GMGO”

    • Notes GMGO-like limitation: no self-calibration
    • Also compares black enhancement behavior

  4. Hisense vs JM models (JM Gold / JM third series / JM X1)

    • JM is described as more famous than Hisense but potentially weaker in picture quality
    • Mentions:
      • JM Gold (3rd series) as more interesting visually
      • JM X1 as “incredibly bright” with very high desirability

Ratings / numerical scores

  • No explicit numerical score (e.g., star rating) is provided in the subtitles.
  • Screen size / brightness context is discussed:
    • Example: 80 inches
    • Another: 120 inches (reviewer says comparing 80 vs 120 is difficult)
    • A client screen width is cited as approximately:
      • ~240 cm (his)
      • ~2.65 m (reviewer’s wording)
    • Projected images referenced as approximately ~120” vs ~80”

Unique points mentioned about the product (consolidated)

  • Sealed optics prevent dust ingress
  • Manual focus/adjustment via internal bolts
  • Strong cooling: heatsinks + multiple fans
  • Excellent projector speakers + strong subwoofer performance
  • Subwoofer connected via optical link
  • Subwoofer controls: bass lever and optional hole covering to reduce humming
  • Subwoofer includes RCA bass input (connectable to a TV)
  • Multiple HDMI ports + optical output + Bluetooth + Wi‑Fi/app support
  • Antenna input for analog TV
  • Requires the correct IR/UST screen and correct ceiling/reverse orientation
  • Menu language is English; app/setup environment supports Russian
  • Many manual picture controls (gamma, gamut, black enhancement, motion compensation)
  • Lacks full room calibration / auto-calibration
  • Brightness can handle some image-size expansion, but black depth is weaker than top references
  • Remote is plastic and visually stands out; losing it leaves only one power button
  • UST placement requires cable management due to short distance

Speakers/views

Only one main reviewer/speaker appears in the subtitles (no clear separate speakers). Content includes:

  • Personal testing experiences (studio testing, maximum volume, disassembly)
  • References to user reports (e.g., Avito complaint about wrong screen orientation)
  • Notes about constraints and technician involvement (e.g., client didn’t allow disassembly)

Concise verdict / recommendation

Hisense Starlight S1 Pro is recommended if you prioritize strong UST sound with subwoofer impact and solid overall picture brightness, especially in rooms that aren’t fully pitch black.

However, if you’re very sensitive to black depth and want top-tier contrast, the subtitles suggest it lags behind higher-end “Premium Theatre” style setups—and it lacks full room auto-calibration, making correct screen choice and setup especially important.

Original video