Hitman VR is funny for the worst reasons

Summary / Recap

In this VR “Hitman” session, the player takes the role of an increasingly chaotic, not-quite-subtle hotel intruder who keeps blending into staff roles—only to accidentally start (or escalate) the hotel’s biggest murder-and-disguise disaster.

Main plot & standout moments

• Judgement Judge Judy + executioner vibe: Right away, the creator jokes about being the judge and executioner, then immediately goes after a target in a fancy hotel—with awkwardly timed violence and lots of risk from witnesses.

• Rug-flooding mayhem: They repeatedly rationalize ridiculous actions (like flooding the bathroom) while trying to justify it as “safe” because it wouldn’t ruin anything “priceless”—until bodies, witnesses, and property damage spiral out of control.

• Hide-and-wait terror: After killing one character, the player hides behind doors like a menace waiting for guards to enter—turning tension into comedy, especially with the imagined “killer clown” idling and waiting.

• Witness-heavy escalation: The player gets spotted indirectly (people near windows, bodies not being handled correctly, staff interactions going wrong). Even when they try to “blend in,” they’re repeatedly too obvious.

• Disguise roulette (and bad outcomes):

  • They disguise as hotel staff and perform increasingly weird “work,” like overflowing sinks.
  • They attempt to become a drummer for a lead, but it collapses into frantic fighting and body-hoarding chaos.
  • They later switch into other disguises—male staff, bartender-adjacent roles, security/bodyguard—and each change draws even more suspicion.

• Band / rock-and-roll detour: The funniest sequence happens when they end up on the wrong floor and accidentally do the drummer objective. They react like they’re becoming famous, even watching a VR “movie of themselves” playing drums while upset that it isn’t real success. They also obsess over how their watch/wrist animations look, comparing them to famous paintings.

• “Private” murdery conversation goes off the rails: They insist it’s a private setup “not in a weird way,” and then it instantly becomes chaotic—someone reacts to the wrong thing, guns get dropped, and the game’s physics/plot glitches feel like they’re fighting back.

• Co-workers get endangered (and the player feels guilty): There’s a stretch where they wander into cleaning/staff areas, knock things out of place, and even say they should “help the co-workers more”—which only leads to more mayhem.

• Final escape becomes a brawl-through-disguises: They take damage, keep changing disguises again, and treat the chaos like “natural selection,” basically narrating that people who look around or follow wrong leads “deserve what happens.” The run ends with grabbing an emergency exit and thanking viewers.

Jokes & reactions that drive the humor

• Overconfident narration: “I’m the main character,” “I can do what I want,” “more shifts for me.”
• Absurd crime-as-housekeeping justifications: flooding, overflow sinks, “finishing touches” while murdering.
• Meta reactions to the game’s weirdness: reality-breaking moments, weapon drops, “plot armor,” getting stuck, not understanding routes.
• Disguise discomfort callouts (sexist-adjacent discomfort jokes): used as a comedic note even while they keep causing chaos.
• Stealth turning into slapstick: constant escalation despite trying to be sneaky.

Key personalities (as seen/played)

• The creator / player character (Hitman-in-VR): Constantly switching disguises (Judge Judy/executioner persona, hotel staff, drummer, bodyguard/security, etc.).

• Hotel staff/maid-type NPCs: Interacted with, mistaken for, and frequently disguised against.

• Targets and guards: Repeatedly knocked out/killed, often arriving with “roleplay” and escalating combat chaos.

• Drummer character / indie drummer lead: The trigger for the rock-and-roll detour.